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- January 7, 1985THEATERBEST OF '84
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-
- GLENGARRY GLEN ROSS. The American dream is a swindle, an
- overpriced parcel of Florida swampland peddled by shark-eyed
- salesmen. David Mamet's message is sour, but his
- ear-to-the-gutter dialogue is monstrously entertaining. A 1984
- Pulitzer prizewinner.
-
- THE HUMAN COMEDY. William Saroyan's novel of homespun
- Americana packed little wallop as the book for this pop cantata,
- but the profligate melodiousness of Galt MacDermot's score and
- a dozen engaging actors just about sent audiences humming and
- floating out of the theater.
-
- HURLYBURLY. The evil of banality: this is the subject of
- David Rabe's comedy of modern bad manners. His men are Peter
- Pan's lost boys grown older but not up; his women are resilient
- rag dolls. Director Mike Nichols and an exemplary cast evoke
- these dead souls with compassionate intelligence.
-
- LAUGHING STOCK. At 54, Romulus Linney remains one of the
- American theater's mysteriously buried treasures. In this
- off-Broadway evening of three short plays, especially the
- masterly centerpiece F.M., Linney exhibited deft portraits of
- the half mad in which not a line was misplaced or wasted.
-
- MAMA I WANT TO SING. Amateur night in Harlem, or heaven.
-
- THE MISS FIRECRACKER CONTEST. Holly Hunter, a strumpet-elf in
- tap shoes, walks onstage and twirls a rifle to the Star-Spangled
- Banner. Neither she nor Author Beth Henley misfires in this
- small-town carnival of a comedy.
-
- THE MYSTERY OF IRMA VEP. This perfect travesty raids Jane Eyre,
- Poe and mummy movies. Everett Quinton and Playwright-Director
- Charles Ludlam perform all eight roles, some in drag, some
- simultaneously, with manic precision.
-
- THE REAL THING. Aristocrats of style polish their epigrams and
- tiptoe into one another's penthouse souls in Tom Stoppard's
- Cowardian comedy. And Actor Jeremy Irons finds an intelligent
- heart throbbing with domestic passion.
-
- ROCKABY. In two stunning short plays by Samuel Beckett,
- Footfalls and Rockaby, daft old women lull themselves to death
- with monologues of sere poetry. This explorer of the darkest
- human emotions found in Actress Billie Whitelaw the ideal
- interpreter of his spectral campfire tales.
-
- SUNDAY IN THE PARK WITH GEORGE. If you loved the painting,
- you'll like the show. Stephen Sondheim and James Lapine based
- their Broadway musical on Georges Seurat's A Sunday Afternoon
- on the Island of La Grande Jatte and found subterranean seisms
- of feeling: hostile, wistful, possessed.
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